THE CELLULOID VOID

When I started The Celluloid Void, I didn't really know exactly what I wanted it to be. I wanted to focus on women working in the film industry, but at first, I primarily used it as a place to house reviews and lists related to more modern films. As I found myself doing more research for pieces on early cinema, however, I began to realize how little had been written on many of the oldest women directors, screenwriters, editors, and—the subject of today's post—cinematographers